Random Wiki Article - List of Unusual Deaths

I have, on the random occasion, sat and pondered about how I would die (assuming that Jehovah's day doesn't come before then), and I wondered that after I died how many people would be bothered to come to my funeral, not that I really want one to be held in my name. I personally don't find it appealing nor worth the trouble for others to summarize my uneventful life.

I'd imagine whether I would die from some incurable sickness, purely from old age, some traffic accident, overdose in caffeine, a heart attack, or maybe choking on my food. This afternoon, one of my friends posted in his news feed the following link to the Wikipedia article on a list of unusual deaths. This article kept me entertained for almost one hour.

It turns out that people have died from:

• choking on a piece of hair while drinking milk;
• a combination of indigestion and uncontrollable laughing;
• attacked by a Cassowary;
• a broken neck when the owner's long scarf got caught in the wheels of a car;
• two strokes after reading a negative premature obituary of himself;
• drank himself to death with carrot juice;
• alcohol intoxication after immersion for twelve hours in a bathtub filled with 40% ethanol.  It was believed that she had immersed herself as a response to the SARS epidemic;
• collapsed of fatigue and died after playing the videogame StarCraft online for almost 50 consecutive hours;
• drowned after his kayak was capsized by a swan, which then proceeded to block him from escaping to shore.

So, how will you die?

PSotD - Rachmaninoff's Piano Concerto No. 2 in C minor

Title: Piano Concerto No. 2, Op. 18 Mvt. 1 - Moderato

Composer: Sergei Rachmaninoff
Performed by: Chicago Symphony Orchestra
Conductor: Fritz Reiner
Piano: Arthur Rubinstein
Year: Composed 1900-1901

Notes: The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra, composed by Sergei Rachmaninoff between the autumn of 1900 and April 1901. The second and third movements were first performed with the composer as soloist on 2 December 1900. The complete work was premiered, again with the composer as soloist, on 27 October 1901, with his cousin Alexander Siloti conducting.

This piece is one of Rachmaninoff's most enduring popular pieces, and established his fame as a concerto composer. he opening movement begins with a series of bell-like tolling on the piano that build tension, eventually climaxing in the introduction of the main theme.

In this first section, the orchestra carries the Russian-character melody while the piano makes an accompaniment made of arpeggios riddled with half steps. After the statement of the long first theme, a quicker transition follows until the more lyrical second theme, in E flat major, is presented. The agitated and unstable development borrows motives from both themes changing keys very often and giving the melody to different instruments while a new musical idea is slowly formed. The music builds in a huge climax as if the work was going to repeat the first bars of the work, but the recapitulation is going to be quite different.

While the orchestra restates the first theme, the piano, that in the other occasion had an accompaniment role, now plays the march-like theme that had been halfway presented in the development, thus making a considerable readjustment in the exposition, as the main theme, played by the orchestra has become an accompaniment. This is followed by a piano solo, which leads into a descending chromatic passage and concluding with an eerie french horn solo. From here the last minutes of the movement are placid until drawn into the agitated coda, and the piece ends in C minor fortissimo.

Quotes from Max Harrison's "Rachmaninoff: Life, Works, Recordings" and Geoffrey Norris' "The Master Musicians: Rachmaninoff"

Sergei Rachmaninoff (1873 - 1943)